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October 24, 2006

DON - The Chase Begins...

“Don ko pakadna mushkil hi nahin, na mumkin hai.”

What begins now are the comparisons, where SRK is pitted up against Amitabh Bachchan, music directors Shankar-Eshaan-Loy are up against Kalyanji-Anandji, and Farhan Akhtar is up against history.

Read on to find out if the new film will achieve the same success as its predecessor.

Director Farhan Akhtar dares to recreate one of the biggest blockbusters of the late ‘70s. The original Don released in 1978 had superstar Amitabh Bachchan in the lead, then beauty queen Zeenat Aman as the female counterpart, a seductive dance number by cabaret queen Helen, was complimented with evergreen music by Kalyanji – Anandji, had trademark dialogues penned by the hit duo Salim & Javed Akhtar, and was directed by Chandra Barot. All in all, it was a pure classic of its time.

Don – The Chase Begins, is a film of this time. It has today’s superstar Shah Rukh Khan in the lead, now beauty queen Priyanka Chopra, a dance number by the hot and sassy Kareena Kapoor, music accented by Shankar-Eshan-Loy, and contemporary director Farhan Akhtar. It’s a film of today’s day and age, in which case if there’s any director capable of transitioning the old to the new, its chic director Farhan Akhtar. Be it Dil Chaata Hai or Lakhsya, he caters to today’s youth.
Farhan Akhtar is incapable of making a bad film. There’s always something to appreciate in his films as he presents his cast like no other.

Don definitely earns marks on distinction. Many can chose to compare it to the Big B great, however it’s not so comparable, because it’s different. Akhtar’s creative senses have infused a cutting-edge touch to the experience; sharp intelligence devices, superior action sequences, palatial settings, state-of-the-art cinematography, and unconventional performances. It’s a different product all together. The core of the film remains the same, but this version of Don has its own twists and turns.

Don was a film that contributed to making Amitabh Bachchan the legend he is. It’s not child’s play to fill those shoes. Shah Rukh Khan, while not your typical action hero, still has the wits to be a decent fit. His arrogance and grandeur become his strength to play the part. As Don he’s competent, but overacts in parts; evidently trying too hard to fill the shoes. As Vijay he’s in sync but inhibited by his ‘cool guy’ image to fully dive into the character. Perhaps his attempt to make his impersonation of Don larger than life and strong dialogue delivery will still make him memorable to audiences. He’s no Amitabh Bachchan but he is Shah Rukh Khan who deserves credit for taking the risk and putting himself in a position where comparison and flak from media are inevitable. Thumbs up for effort.

Priyanka Chopra is in form on all levels. She has a solid hold on the action bits and is confident throughout. Arjun Rampal serves the purpose of his role, but is unable to match the footsteps of Pran. Om Puri isn’t fully utilized. Isha Koppikar plays a miniscule part and is average.
Booman Irani is excellent. He’s one actor who swims above and beyond the shadow of the past DCP D’Silva, played with flourish by Iftekhar, and creates his own image.

Kareena Kapoor is sexy and seductive but has nothing on Helen. For a present day film, her costume is more dated than Helen’s, failing to give spice to the cabaret.

As for the music Shankar-Eshan-Loy have pepped up the beats and made them more danceable. The background score is where they really earn credit. The theme of Don adds zest to the otherwise slothful pace.

Aesthetically Don is a slick film, but its painfully slow at parts. While the old Don was slow as well, in the new version it was expected the editing team would pick up the pace. Instead, the film hits a lull and can be a tedious watch. But what makes up for the cons of the entire film is the end. The plot is well conceived and executed. However, if you know the end, then its only an average watch.

The current generation has most likely not seen the previous Don. For them this will be a trend-setting action flick that doesn’t fail with cheesy special effects but is closer to the polish of a Hollywood film. For those that can refer to the classic, it won’t come close to the time-honored film, but the newness will still be a treat. Farhan Akhtar and his team of actors and technicians have done the best they could to do justice to the original.

Don – The Chase Begins, gets off to a running start with Ritu Mahindru's 3 stars.

October 17, 2006

DOR - A film by Nagesh Kukunoor

From as far back as I can recall, Nagesh Kukunoor has not made a poor film. His films may not be many in quantity, but they do boast of quality. After Iqbal, his latest eye-opener is Dor…dekhi ye ke dor aapko bhand ke rakhti hai ke nahin…

Reportedly based on a true to life incident, Dor in one word is beautiful. Not only is it the story of a beautiful friendship, but also it’s been complimented by beautiful cinematography that breathes life and has been beautifully executed. The two radiant belles, Gul Panag and Ayesha Takia, carry the film with grace on their delicate shoulders. But that’s not to say they did it on their own. Noteworthy director Nagesh Kukunoor provides clear direction of how and where to take the film.
A film for mature audiences, the sensitive subject will not appeal to the masses. Those with an appreciation for offbeat cinema and an affinity for artistic visuals are likely to feel a kinship. Dor runs on two tracks that eventually tie up as one in an unusual way. An interesting saga, the challenge it faces is the intial pull. It takes time to actually get in to the story and roll with the motions. The lethargic pace sets risk of losing effectiveness. But the powerful and sensible dialogues paired with hard-core performances full of conviction, don’t falter in momentum.
Nagesh has truly extracted the best from his leading ladies. Ayesha Takia is innocent and endearing with the right amount of vulnerability. Gul Panag comes across very confident, portraying her character with strength. Both females look gorgeous in their de-glamorized roles, staying truly authentic to their character. Adding energy is the sincere and talented Shreyas Talpade.
Catering to the demands of the script, the musical score tells a story while moving along events simultaneously. Technically the film will be applauded for its finesse. Muneesh Sappal pays full attention to art direction preserving the look of Rajasthan and Himmachal Pardesh as captured by the lens.
Writer and Director Nagesh Kukunoor yet again accomplishes escorting a film to its fine completion. Unfortunately it may not be a widely popular film, but Nagesh’s core audience will be proud of his work. Dor is a compelling story, deep for the masses and exclusively for the classes with Ritu's 3 stars.

The story in this Dor will keep you tied. It’s moving in its own way.