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Kabhi Alvida Naa Kehna - a film for all those people who got together for all the wrong reasons, but thought they were right...

Indian movies always explore the self-less-ness and the greatness of individuals, making them shining examples in society and sacrifice the way of living. While Kabhi Alvida Naa Kehna is the story of 4 wonderful people, this film’s characters glorify none of these characteristics. They are real human beings who have various shades; they’re giving, caring, sensitive - but also, irrational, bitter, and at times full of resentment. Just as we all do when our spirits are down, they look at the cup as half empty rather than half full. Often quoted English philosopher Thomas Hobbes theory, “humans are selfish by nature”, is exhibited here.

Karan Johar who’s trademark till date has been fairytale films strong on family values, wholesome togetherness, and happy endings, enlightens his as well as the audiences frame of reference to the reality of relationships as they are today. So true is his take that it’s nearly absurd and disgusting, making it a difficult concept to fathom for traditional viewers. Set in New York, KANK takes a look at the crumbling marriages of 2 NRI couples. It shows how a relationship can fall apart without any one person being the villain and how an extramarital affair can enter to fill the void between the cracks. Johar has approached this controversial topic sensibly, revealing the consequences of such actions.

Although not as happy-go-lucky and entertaining as his other films, KANK still has enough touches for commercial appeal. Dialogues by Niranjan Iyengar range from witty humor to hard-hitting drama. As always an aesthetically superior and pleasing production, Sharmista Roy excels in art direction and designer Manish Malhotra yet again creates a look of envy for the feature cast. A mix of emotional and enthusiastic music by Shankar-Ehsaan-Loy succeeds in topping charts once again. Javed Akhtar’s lyrics strike a chord. Cinematography by Anil Mehta adds gloss but many shots of New York appear the same as they did in Kal Ho Naa Ho. Where the film looses its edge is in length. The pace drags and there are about 3 points where it seems like the film’s over, yet it keeps going; thereby weakening the solid and impactful conclusion.

Coming to the performances, a stellar star cast of Amitabh Bachchan, Shah Rukh Khan, Abhishek Bachchan, Kirron Kher, Rani Mukherjee, and Preity Zinta can hardly disappoint. In contrast to his role from the Bhagban, Amitabh shows his versatility with a different image in which he’s hip, fitting, effective, though slightly offensive. Shah Rukh too is seen in a new avatar. Not his usual Mr. Fix-it, he plays a highly irritated character with a negative outlook. He’s actually quite annoying which means he succeeded in playing the part, since what comes across is precisely the character type. The best character and performance in the film is that of Abhishek Bachchan. He is intense and simply brilliant! Kirron Kher adds the right flavor and does justice to her character. Rani Mukherjee is stunning, exuding her usual confidence. Preity Zinta’s character gradually grows to show scope. She delivered a strong performance in the latter half.

It may not be a ‘typical’ Karan Johar film, but for his ardent fans he doesn’t fail to include his extra special appearances. So keep your eyes open because you won’t want to miss out!

While broken marriages may not be common in Indian society they are definitely not foreign. This film in no way condones extramarital affairs or encourages divorce; rather it questions circumstances. In fact even in the light the situations are presented, the two lead protagonists fail to gain sympathy.

Given the film is by Karan Johar, one expects a lot - fully loaded 3 hours of pure entertainment. If those are your expectations, than that’s where KANK will tank. It’s missing that certain something that makes you feel good about watching a KJ film. Due to the nature of the topic, its grim and deep, leaving your senses unfulfilled. On the other hand, it’s a film that’s sure to spark discussion with various opinions circulating. Done right a movie should make you go through its motions, it should make you laugh, cry, and think – Kabhi Alvida Naa Kehna achieves all three laurels and earns 3 ½ out of 5 stars.

Comments

I think this review is totally absurd!!! You give good movies 2-2 1/2 star and horrible movies like KANK 3 1/2 star!!!! Not a single review of this movie in any newspaper or site is good except yours!!! You are just a SRK obsssed fan!!!! A good movie like Phir Hera Pheri and Lage Raho Muna Bahi gets 2 & 3 stars and KANK 3 1/2 star!!! You surely don't have a sense of humor!!! I guess that shows why you never smile on the show!!! Be fair in your job or just name your segment "GOOD SRK review!!"

Finally a review that I can agree with, simply tired of reading and hearing reactions from audiences on how Bad the movie seemed, and everyone seems to jump on the I hate Shahrukh wagon. I personally believe this is probably one of SRK's best acting performances, in which he has essenced the role given by KJ to perfection, His role required him to be hated by the audience due to the way of our present day society, which he has succeded in achieving and hence probably deserves the utmost recognition.

I hated Rani Mukherjee's character more than SRK's character. It was kind of a relief that that character couldn't bear children. Basically adults make/break relationships, as they feel like. It gets pretty ugly when children get involved. I wish the movie ended showing SRK more invested in his son's life even after the divorce rather than take off with his new "love". The whole movie revolved around how "feeling in love" is so more important than behaving in a loving way.

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